Buga, C.-M.:
Visions fugitives” Op.22 by Prokofieff
– Quintessence of His Musical and Pianistical Spirit
................. |
845 |
Dragulin,
S.: The Piano in Chamber
Music.......................................................................................................... |
851 |
Dumitrascu,
I.: Taste-related Aspects
in Baltasar Gracián’s Aphorisms............................................................... |
857 |
Filip, I.: The Right Flute in the XVIth century
..................................................................................................... |
861 |
Hotoran, M.:
Aspects Concerning the Musical Form in
Passio et Mors Domini Nostri Iesu Christi, by K. Penderecki .. |
865 |
Maniut,
L. C.: The Key Features of
Modernity in the XXth Century........................................................................ |
875 |
Maniut,
P.: The Music of Imperfect
Love............................................................................................................ |
881 |
Mor areanu,
L.: Claude Debussy – A
Noteworthy Character in the Early XXth
Century Music Industry
..................... |
885 |
Nicolesco, M.:
Celebrating the Art of Singing
..................................................................................................... |
889 |
Pepelea, R.: The Current Stage of Knowing Paul
Constantinescu’s Work .............................................................. |
897 |
Petrescu, A.:
Turning A Dramatic Script into a
Musical Libretto: The Libretto of The Opera ”Hamlet” by Pascal Bentoiu.......................................................................................................................................................... |
901 |
Petrescu, C.: The Sonorous Performance
.......................................................................................................... |
907 |
Pop, C.: Martin Luther – The Priest Hero. The
Protestant Coral............................................................................ |
913 |
Rucsanda, M.:
Ethnological Considerations on the Romanian Carol
.....................................................................
|
917 |
Szalay, Z.:
Collecting of Vocal Folk Music at the
Turn of the 20-21st Century in Csík County
.................................. |
923 |
T utu,
C.: Prima and Seconda
Prattica – Basic Techniques in Claudio Monteverdi’s Creation
................................... |
929 |
Vârlan, P. M.:
Capitalization on Enescian Conceptual
Aspects in Tudor Ciortea’s Composition
............................... |
935 |