Clivet, N.: The Influence of the French “New Criticism” in The Romanian Literary Space. ...............................................................

9

Tatu, O.: The Power of Words, the Power of Silence with Shakespeare ................................................................................................

15

Antonaru, C.: The Shakespearian Miracle ...................................................................................................................................................

21

Bucur, R.: The Philosophy of Composition Revisited, or Why does Modern Poetry begin in the USA ..........................................

25

Scraba, C.: The Poet and the City: Reflections on Urban Perceptions in Allen Ginsberg's and Frank O'Hara's Poetry..............

29

Schwerin, C.: Speaking the Unspeakable – Manifestations of Silence in Gail Jones’ Sorry ............................................................

37

Kolos, L: Who is who on Shaw’s Islands? Reversals in “John Bull’s Other Island” .............................................................................

41

Campu, A.: History as a Marker of Otherness in Rohinton Mistry’s “A FineBalance” ..........................................................................

47

Harsan, M.: Marguerite Duras: Out of Eden or the Betrayal of Indochina...............................................................................................

55

Fatu-Tutoveanu, A.: L’opium dans le contexte de l’imaginaire colonial. Voyages dans l’orient et intoxications opiacées...........

59

Ion, M.: Homo Exsilius or the Portrait of the Artist as a Wanderer............................................................................................................

65

Stiuca-Lefcencu, D.: Humour and its Facets in Gerhard Hagers: “Amusement from the Supreme Court”   ...............................

69

Valcea, C.: To (Mis)communicate in ‘Scorching Heat’ ..............................................................................................................................

73

Hamzea, L.: The Language Labyrinth in Peter Ackroyd’s Fiction ..........................................................................................................

79

Sibisan, A.: Julian Barnes against the Background of Contemporary Fiction......................................................................................

85

Petre, A.: Duiliu Zamfirescu’s short Stories ..................................................................................................................................................

89

Apostol, N. P.: The Struggle within the Self in Aldous Huxley’s „The Monocle” and A.E. Baconsky’s „The

    Stonecutter’s Run” .......................................................................................................................................................................................

93

Maican, M. A.: The Relationship Author-Reader and Subversive Narrative Strategies in the Romanian Prose

     Fiction of the 1960’s ................................................................................................................................................................................

Witt, R.: Expatria(m)? .......................................................................................................................................................................................