|
Snircova, S.:
The Alienating Effect of the Mask of
Feminity
..................................................................................................................... |
9 |
|
Bucur, R.:
Towards a Multimedia Poetry
...................................................................................................................................................... |
17 |
|
Moarcas, G.:
Rediscovering Primitivism in the
Romanian Poetry of the 60’s
....................................................................................... |
21 |
|
Harsan, M.:
Code de lecture: la tête en bas
................................................................................................................................................ |
25 |
|
Ilie, R.:
The Tradition of Europeanity in the
Cultural Discourse of the Sibiu Literary Circle
............................................................... |
33 |
|
Cliveþ, N.:
The Aesthetic Resurgence of the
post-war Romanian Criticism
......................................................................................... |
37 |
|
Puchianu, C. E.:
Mythen der Diktatur – Beispiele
Literarischer Aufarbeitung
...................................................................................... |
41 |
|
Diaconu , I.:
Der Deutsche Essay im 20.
Jahrhundert
.............................................................................................................................. |
49 |
|
Campu, A.:
The Question of Identity in Diran
Adebayo’s “Some Kind of Black”
.................................................................................. |
57 |
|
Leon, C.:
Compositional Aspects of
“Rosmersholm” by Henrik Ibsen and “Lonely Lives” by Gerhart Hauptmann
.................... |
63 |
|
Ion, M.:
Petru Popescu’s Work: Thematic and
Stylistic Constants and Variables
................................................................................ |
69 |
|
Petre, A.:
Seduction Games in “Duduca Mamuca” – An
Ironic Approach to the Feminine Romantic Character
..........................
|
73
|
