Series IV

Harsan, R.: La (re)construction textuelle de l'identite chez Faļza Guene et Abdellah Taļa ........................................................	35
Bucur, R.: Poetry, Visual Dimension, Writing............................................................................................................................................	51
Harsan, M.: Boris Vian Ou Le Pianocktail Litteraire ................................................................................................................................	59
Clivet, N.: Cornel Regman – The Critical Concept.....................................................................................................................................	67
Ion, M.: From Space to Place in G. Plesea’s Novel Bitter Be Thy Bread ...............................................................................................	73
Pipos, C.: The First Confessional Poets.....................................................................................................................................................	77
Sibisan, A.: Scepticism and Play in John Barth’s the Floating Opera....................................................................................................	85
Georgescu, I.: The Critical Identity from the 1960s through the 1980s. A Case Study: The Secolul 20 Magazine.....................	89
Felea, A.S.: Imagination and the Imaginary, Difficulties of Definition. Between Semantic Traditions and Inovations ..............	95
Antonaru, C.: Dragos Protopopescu, the Academic Legacy...................................................................................................................	99
BULLETIN OF THE TRANSILVANIA UNIVERSITY OF BRASOV • VOL. 5 (54) No. 2 - 2012 SERIES IV - PHILOLOGY AND CULTURAL STUDIES, ISSN 2066-768X (Print), ISSN 2066-7698 (CD-ROM) LITERATURE

Baucekova, S: Water in Three Poems by T. Hughes (A Symbolic Journey into the Unconscious) ...............................................	53
Campu, A.: History Matters in Rohinton Mistry’s “Family Matters” ...........................................................................................................	67
Petre, A.: The Woman in “The Moments” .....................................................................................................................................................	73
Leskiv, A.: A Path to Successful Creative Writing .....................................................................................................................................	85
Pipos, C., Cristescu, C.: Sylvia Plath and the “I” of the Confessional Mode .......................................................................................	93