Series VIII


Ackermann, P.: Giovanni Pierluigi da Palestrina – Zur Konzeption eines digitalen Verzeichnisses seiner Werke und deren Quellen ........................................................................................................................................................................................................... Abstract	7
Belibou, A.; Rucsanda, M.: David's Psalms in the worship of early Christians ....................................................................................... Abstract	13
Constantin, F.A.: Music Therapy explained by the Principles of Neuroplasticity .................................................................................... Abstract	19
Coroiu, P.-M.: The theory of multiple intelligences ....................................................................................................................................... Abstract	25
Engel, A.: The Brasov’s musical life at the dawn of the 20th century, mirrored in the activity of the musician Gheorghe Dima ... Abstract	31
Ibanescu, C.: “Nocturne op. 9 no. 2 for the Left Hand” by Alexander Scriabin ...................................................................................... Abstract	39
Karacsony, N.: Oriental cultures represented in the opera “Samson et Dalila” by Camille Saint-Saëns ........................................ Abstract	45
Orban, G.: The basson-construction and specific sonority ........................................................................................................................ Abstract	55
Prallea-Blaga, D.: George Zaharescu, portrait of a master of the Romanian school lyrical theater directing ................................. Abstract	63
Tonescu (Irimia), R.: Giacomo Puccini – “Quartetto in D” per archi ......................................................................................................... Abstract	71

Beldean, L.: Die Darmstadter Internationalen Ferienkurse fur Neue Musik: Ein weiterer Durchbruch in die Moderne fur die

rumanische Kompositionsschule (Teil II) ..............................................................................................................................................

Abstract

Belibou, A.: The rhythm of popular musicythm ............................................................................................................................................

Abstract

Bostan, M.C.: Concerto No.1 for Violin and Orchestra in A Minor op.99 from Dmitri Sostakovici .......................................................

Abstract

Festeu, A.: Voice classification: terminology and practicality .....................................................................................................................

Abstract

Hanke, M.-E.: Four Chamber Arias by Johann Sartorius junior (1712–1787), dedicated to the time before Lent, preceeding

the Holy Easter ..............................................................................................................................................................................................

Abstract

Ibanescu, C.: Sound Interferences. Inquisition in the world of keyboard Instruments from the eighteenth century ......................

Abstract

Lisecka, M.: “Offence to the Eye”: Farinelli as an actor on Opera stage. Case from anthropology of theatre ..................................

Abstract

Pavel, G.-M.: Structural and performing milestones in the work of the composer Iacob Muresianu (I. The Lied “Return to the

Homeland”) ...................................................................................................................................................................................................

Abstract

Pepelea, R.: Argumentative patterns of musical discourse illustrated in emblematic creations of the German Baroque ...........

Abstract

Rucsanda, M.D.: Connections between music and painting in Arnold Schoenberg’s works ............................................................

Abstract

105

Soporan, T.-A.; Oarcea, I.: The evolution of the Protestant Chorale Ein’ feste Burg ist unser Gott by Martin Luther. Part I ...........

Abstract

115

Suteu, L.-C.: Musical visualisation – an important tool in professional performance ..........................................................................

Abstract

125