Series VIII

BULLETIN OF THE TRANSYLVANIA UNIVERSITY OF BRASOV • VOL. 12 (61) No.1 - 2019 SERIES VIII - PERFORMING ARTS, ISSN 2344-200X (Print) ISSN-L 2344-200X (Online), ISSN 2344-2018 (CD-ROM) PERFORMING ARTS

Coroiu, P.M.: Richard Clayderman and Andre Gagnon - Common references of componistic stylistics ........................................ https://doi.org/10.31926/but.pa.2019.12.61.1	7
Dumitriu, L.: Simplicity and Mastery. Meter and Rhythm in Part II of the “Concerto for Piano in G major” by Maurice Ravel ....... https://doi.org/10.31926/but.pa.2019.12.61.2	13
Hilca, T.: Observations regarding the Perception of Dynamic Aspects in the "Nocturnes"of Francis Poulenc (“I.Nocturnes no. I-IV”) ................................................................................................................................................................................. https://doi.org/10.31926/but.pa.2019.12.61.3	29
Ibanescu, C.: Aspects in the Evolution of the Sonata Genre and Form in the Piano Creation ............................................................ https://doi.org/10.31926/but.pa.2019.12.61.4	39
Karacsony, N.: Expressing Reality through Spectacle and Dream in Baroque Art ............................................................................... https://doi.org/10.31926/but.pa.2019.12.61.5	45
Neagu, G.: Innovative Techniques and Methods in Contemporary Musical Education ....................................................................... https://doi.org/10.31926/but.pa.2019.12.61.6	53
Pepelea, R.: Figure and Affection in „Orgelbuchlein” by J. S. Bach ......................................................................................................... https://doi.org/10.31926/but.pa.2019.12.61.7	65
Porcos, I.: Archetypal Aesthetics in Various Branches of Art ..................................................................................................................... https://doi.org/10.31926/but.pa.2019.12.61.8	73
Sandu, C.: The Orchestral Character of Beethoven’s Pianism ................................................................................................................. https://doi.org/10.31926/but.pa.2019.12.61.9	81
Savin, C.: The Polyeleos „A Good Word” in the Musical Reflection of the Composer Horaþiu Alexandrescu ................................... https://doi.org/10.31926/but.pa.2019.12.61.10	91

BULLETIN OF THE TRANSYLVANIA UNIVERSITY OF BRASOV • VOL. 12 (61) No.2- 2019 SERIES VIII - PERFORMING ARTS, ISSN 2344-200X (Print) ISSN-L 2344-200X (Online), ISSN 2344-2018 (CD-ROM) PERFORMING ARTS

Chapman, S.: The Alexander technique in relation to practising, performing and teaching .............................................................. https://doi.org/10.31926/but.pa.2019.12.61.11	7
Fratila, L.: Socio-economic views on music therapy .................................................................................................................................. https://doi.org/10.31926/but.pa.2019.12.61.12	13
Gabor, E.; Filip, I.-C.: Johann Heinrich Ignaz Franz von Biber: Rosary Sonatas .................................................................................. https://doi.org/10.31926/but.pa.2019.12.61.13	21
Hilca, T.: Observations regarding the perception of dynamic aspects in the "Nocturnes" of Francis Poulenc (II. Nocturnes no. V-VIII) ....................................................................................................................................................................................................... https://doi.org/10.31926/but.pa.2019.12.61.14	27
Ibanescu, C.: The Dancing character and its absorption in the Solerian Harpsichord repertoire .................................................... https://doi.org/10.31926/but.pa.2019.12.61.15	37
Itigan, M.; Dragulin, S.: Fundamental structures of Classical Music ........................................................................................................ https://doi.org/10.31926/but.pa.2019.12.61.16	45
Kicsi, Cs.: The impact of Argentine tango music on the human brain ................................................................................................... https://doi.org/10.31926/but.pa.2019.12.61.17	53
Negrila, I.: The need to use folklore as a means to integrate traditionalism and modernism in students’ education .................. https://doi.org/10.31926/but.pa.2019.12.61.18	67
Palocz, R.: Phoniatric problems in folk singing teaching .......................................................................................................................... https://doi.org/10.31926/but.pa.2019.12.61.19	75
Pepelea R.: “Musica poetica” .......................................................................................................................................................................... https://doi.org/10.31926/but.pa.2019.12.61.20	83
Rucsanda M.D.: Aspects of the relationship between Music and Painting and their influence on Schoenberg and Kandinsky ..................................................................................................................................................................................................... https://doi.org/10.31926/but.pa.2019.12.61.21	91
Suteu, C.-L.: Emotional aspects in the psychology of pop music .......................................................................................................... https://doi.org/10.31926/but.pa.2019.12.61.22	101