BULLETIN OF THE TRANSYLVANIA UNIVERSITY OF BRASOV • VOL. 13(61) No. 1 - 2020 SERIES VIII - PERFORMING ARTS, ISSN 2344-200X (Print) ISSN-L 2344-200X (Online), ISSN 2344-2018 (CD-ROM) |
PERFORMING ARTS
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Benescu, G.: Creativity and Communication in the Visual Arts .............................................................................................................. |
7 |
Belibou, A., Rucsanda, M.: Analytical and semantic aspects of Leonard Bernstein’s Chichester Psalms ...................................... |
17 |
Bharathi, R. K., Mamatha, M. N., Geeta Kiran, A.: Folk Music: An integral part of everyday life in Southern Karnataka ............... |
29 |
Bodurian, A.: The evolution of Armenian liturgical music ......................................................................................................................... |
39 |
Coroiu, P.-M.: Aurel Stroe and the religious theme – his musical inspiration ....................................................................................... |
49 |
Engel, A. M.: The Activity of the composer Iacob Muresianu in Blaj. Cultural Heritage and Traditions .......................................... |
55 |
Fratila, L.: Development of the Sonata genre in Frederic Chopin’s creation ........................................................................................ |
65 |
Gabor, E., Filip, I.C: J. P. von Westhoff: Six Suites pour Violon seul sans Basse ................................................................................. |
73 |
Geeta Kiran, A., Mamatha, M. N., Bharathi, R. K.: The Significance of Melody in Music Therapy ...................................................... |
83 |
Ibanescu, C.: Architectural and Harmonic language coordinates in “Sonata R6” by A. Soler .......................................................... |
93 |
Iftene, L.: Musical Perspectives on Donizetti’s Melodrama “Lucia di Lammermoor” .......................................................................... |
99 |
Kicsi, Cs.: The impact of the Golden Age period on the world of the Argentine tango community .................................................. |
107 |
Manailescu, S.: Versions of Post Avant-Garde Music ................................................................................................................................ |
117 |
hermeneutical analysis the Religious Service of the Mother's of God Omophor, composed by the nun Epiharia Moisescu |
127 |
Negrea, A. M.: Rhetorical figures and symbols in the aria “Vidit suum” from “Stabat Mater” by G.B. Pergolesi ............................ |
135 |
Pop, A.O., Filip.I.C.: Artistic training of the Opera singer, the foundation for a successful career ................................................. |
145 |
Radu-Giurgiu, C.: Emilia Petrescu – thoughts about Vocal Music and Pedagogy .............................................................................. |
155 |
Radu-Taga, C.: About the Romanian Opera for children and the choral moments ............................................................................ |
163 |
Zamfir, G.: Lyrical Contours of “Doina” from Oltenia (I). Characteristics and analysis ........................................................................ |
173 |
Vlad, R.: Electronics in Music: Preliminary Stages ..................................................................................................................................... |
185 |
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Authors Index ................................................................................................................................................................................................... |
191 |