Series VIII

Beldean, L.: Philosophy, Literature and (A)Tonal Music as Ingredients of Spectral Music. When the Hills are Tossing Black Shadows........................................................................................................................................................................................	7
Boghici, C.: Archaic Elements in the Romanian Spring-Summer Traditions. Landmarks for Damboviþa County ....................	15
Boghici, C., Boghici, S.T.: The Interactive Methods and Techniques Stimulating Creativity - Crucial Components of the Didactic Strategies ..................................................................................................................................................................................	23
Bostan, M.C.: Alban Berg – Concerto for violin and Orchestra “In Memory of an Angel” ................................................................	29
Buga, C.: George Enescu – “Voix de la Steppe”. Few Pedagogical Considerations (I) ..................................................................	35
Buhaiciuc, M.: When Human Emotion Meets Technology. A Study of Machover’s “Death and the Powers”, the Robot Opera..............................................................................................................................................................................................	41
Coroiu, P.M.: The Spiritual Coordinate in Aurel Stroe’s “Melodramas on Job’s Book”.....................................................................	49
Ionescu, M.G.: Felicia Donceanu - The Poetic Universe of her Vocal and Chamber Works ..........................................................	55
Nauncef, A.M.: “Fantasy for Solo Violin” by Marcel Mihalovici................................................................................................................	61
Oarcea, I.: “Mass in C major” by Franz Schubert. Performance Landmarks......................................................................................	65
Pepelea, D.: Classical Archetype in “Sonatina for violin and piano” by Paul Constantinescu........................................................	73
Pepelea, R.: Stylistic Directions in Paul Constantinescu’s Musical Creation......................................................................................	79
Preda-Uliþa, A.: Adaptations of the Schenkerian Analysis to Post-Tonal Music..................................................................................	85
Varlan, P.C.: Fr. Geminiani –“ Sonata op. 1 no. 5 in b flat major for Violin”.........................................................................................	91
Varlan, P.M.: Docimologic Issues in Evaluating the Theoretical Works in Music Education............................................................	99
Voicescu, C.: Instrumental Transcription for Guitar and its Framing in the Copyright Law .............................................................	105


Beldean, L.: Spectral Analysis in Music and its Implications in Music Therapy Studies (Therapy through Music)........................	7
Coroiu, P. M.: The Temporal Organization of the Musical Discourse .....................................................................................................	17
Guţanu, L.: “Variations on a Greek Island Dance” by Vangelis Karafillidis ..........................................................................................	23
Ibanescu, D.C.: “Prelude and Fugue for the Left Hand” by Reger .........................................................................................................	29
Oarcea, I.: Means and Aims in the Approach of non-Verbal Communication in Music .....................................................................	35
Pepelea, D.: Romanian Musical Neoclassicism – Gateway towards Universality................................................................................	41
Pepelea, R.: Neoclassical Valences reflected in Paul Constantinescu’s Creation..............................................................................	47
Rucsanda, M.: Romanian Stylistic Correspondences between George Enescu and Lucian Blaga. Aesthetic Considerations.	53
Sandu, C., Ibanescu, D.C.: Seixas and Soler, defining Figures of the Portuguese and Spanish Baroque Music ........................	59