BULLETIN OF THE TRANSILVANIA UNIVERSITY OF BRASOV • VOL. 7 (56) No.1 - 2014 SERIES VIII - PERFORMING ARTS, ISSN 2344-200X (Print) ISSN-L 2344-200X (Online), ISSN 2344-2018 (CD-ROM) PERFORMING ARTS
|
Balint, G.: Time and Movement from the Point of View of Musical Thinking.......................................................................................... |
7 |
Beldean, L.: On Models. The Leadership Approach in Configuring the Human Personality ............................................................ |
17 |
Carol Singing as a Folklore Genre. Area of Dâmboviþa.................................................................................................................... |
25 |
La liberation à l’eau ................................................................................................................................................................................... |
35 |
Coroiu, P.M.: Culture and Spirituality in the Writings of Zoe Dumitrescu-Buºulenga and Dumitru Staniloae .............................. |
43 |
Dumitriu, L.: A Composer’s Self Portrait. Prayers for the Choir by Leonard Dumitriu........................................................................ |
49 |
Engel, A.M.: Gheorghe Dima and Titu Maiorescu. Spiritual Interference .............................................................................................. |
57 |
Ibanescu, D.C.: Soler’s Sonata in C Major R61.......................................................................................................................................... |
63 |
Pepelea, D.: Structural Landmarks in the Evolution of the Sonata Form ............................................................................................. |
69 |
Pepelea, R.: Tone-Semitone Scale – Modal System, Emblematic for Paul Constantinescu’s Creation....................................... |
75 |
Rucsanda, M.: New Ethnomusicological Analysis Techniques.............................................................................................................. |
81 |
Vasilache, Gh.: The Sacral Music of Gheorghe Dima (The Liturgy) ....................................................................................................... |
87 |
BULLETIN OF THE TRANSILVANIA UNIVERSITY OF BRASOV • VOL. 6 (56) No.2 - 2014 SERIES VIII - PERFORMING ARTS, ISSN 2344-200X (Print) ISSN-L 2344-200X (Online), ISSN 2344-2018 (CD-ROM) PERFORMING ARTS
|
|
Balaban, L.: Performing and Teaching Activity of Composer Nicolay Chiolak.................................................................................. |
7 |
Beldean, L.: The Paradigm of a Theory. The Thinking of Composer Constantin Simionescu (1938-2014)............................... | 13 |
Boghici, C.: The Presence and Significance of Water in Family Traditions Born............................................................................... |
27 |
Bostan, M. C.: Concerto No. 2 in F Major, Op. 102 for Piano and Orchestra by Dmitri Sostakovici............................................... |
33 |
Dragulin, S.: Expressivity as Factor of Excellence in Musical Performance ....................................................................................... | 43 |
Gutanu, L.: The Orchestral Score in the Opera “The Lying Wolf” by Zlata Tkach............................................................................... |
49 |
Hanke, M. E.: Sacred Music Documents from Transsylvania from the 17th–18th Century, Preserved at the Music Archive of the Lutheran Bishopric in Romania (AMEE), Sibiu ............................................................................................ |
55 |
Ibanescu, D.C.: Baroque Concert Jewels.................................................................................................................................................. | 67 |
Ionescu, M.: The Religious Dimension in Felicia Donceanu’s Compositional Work ...................................................................... | 73 |
Nauncef, A.: Semiography and its Significance in ”Impromptu Concertant” for Violin and Piano, by George Enescu ............. | 79 |
Nastasa, L.E.: Receptive Music Therapy and Metaphors used in Developing Emotional Intelligence ........................................ | 85 |
Oarcea, I.: Music, the Language of Intelligence and Sensibility ........................................................................................................... | 93 |
Pariot, C.: Couleurs modales, structures de parenté et sens global dans le Chant traditionnel des ethnies du Togo ............. | 101 |
Pepelea, R.: Romanian Piano Miniature in the Modern Period of its Assertion................................................................................. | 113 |
Preda-Ulita, A.: A New Analytical Approach to the Musical Language of Ravel................................................................................. | 119 |
Vocal Technique ...................................................................................................................................................................................... |
125 |
Sturm, J.: Un outil universel pour le repertoire choral :"Musica International".................................................................................... | 131 |
Tutu, C.: Valences esthetiques-sacrales du genre "Messe"................................................................................................................... | 139 |