BULLETIN OF THE TRANSILVANIA UNIVERSITY OF BRASOV  VOL. 7 (56) No.1 - 2014

SERIES VIII  -  PERFORMING ARTS, ISSN 2344-200X (Print)  ISSN-L 2344-200X (Online), ISSN 2344-2018 (CD-ROM)

PERFORMING ARTS

Balint, G.: Time and Movement from the Point of View of Musical Thinking..........................................................................................

7

Beldean, L.: On Models. The Leadership Approach in Configuring the Human Personality ............................................................

17

Boghici, C., Boghici, S.: “Pluguºorul” (“Little Plough”) and “Semanatul” (“Sowing”) – Music Categories belonging to

      Carol Singing as a Folklore Genre. Area of Dâmboviþa....................................................................................................................

25

Boghici, C.: Une coutume moins analysee presente dans le cadre du ceremonial funebre chez les Roumains.

      La liberation à l’eau ...................................................................................................................................................................................

35

Coroiu, P.M.: Culture and Spirituality in the Writings of Zoe Dumitrescu-Buºulenga and Dumitru Staniloae ..............................

43

Dumitriu, L.: A Composer’s Self Portrait. Prayers for the Choir by Leonard Dumitriu........................................................................

49

Engel, A.M.: Gheorghe Dima and Titu Maiorescu. Spiritual Interference ..............................................................................................

57

Ibanescu, D.C.: Soler’s Sonata in C Major R61..........................................................................................................................................

63

Pepelea, D.: Structural Landmarks in the Evolution of the Sonata Form  .............................................................................................

69

Pepelea, R.: Tone-Semitone Scale – Modal System, Emblematic for Paul Constantinescu’s Creation.......................................

75

Rucsanda, M.: New Ethnomusicological Analysis Techniques..............................................................................................................

81

Vasilache, Gh.: The Sacral Music of Gheorghe Dima (The Liturgy) .......................................................................................................

87

BULLETIN OF THE TRANSILVANIA UNIVERSITY OF BRASOV  VOL. 6 (56) No.2 - 2014

SERIES VIII  -  PERFORMING ARTS, ISSN 2344-200X (Print)  ISSN-L 2344-200X (Online), ISSN 2344-2018 (CD-ROM)

PERFORMING ARTS

 

Balaban, L.: Performing and Teaching Activity of Composer Nicolay Chiolak..................................................................................

7
Beldean, L.: The Paradigm of a Theory. The Thinking of Composer Constantin Simionescu (1938-2014)............................... 13

Boghici, C.: The Presence and Significance of Water in Family Traditions Born...............................................................................

27

Bostan, M. C.: Concerto No. 2 in F Major, Op. 102 for Piano and Orchestra by Dmitri Sostakovici...............................................

33
Dragulin, S.: Expressivity as Factor of Excellence in Musical Performance ....................................................................................... 43

Gutanu, L.: The Orchestral Score in the Opera “The Lying Wolf” by Zlata Tkach...............................................................................

49

Hanke, M. E.: Sacred Music Documents from Transsylvania from the 17th–18th Century, Preserved at the

      Music Archive of the Lutheran Bishopric in Romania (AMEE), Sibiu  ............................................................................................

55
Ibanescu, D.C.: Baroque Concert Jewels.................................................................................................................................................. 67
Ionescu, M.: The Religious Dimension in Felicia Donceanu’s Compositional Work ...................................................................... 73
Nauncef, A.: Semiography and its Significance in ”Impromptu Concertant” for Violin and Piano, by George Enescu ............. 79
Nastasa, L.E.: Receptive Music Therapy and Metaphors used in Developing Emotional Intelligence ........................................ 85
Oarcea, I.: Music, the Language of Intelligence and Sensibility ........................................................................................................... 93
Pariot, C.: Couleurs modales, structures de parenté et sens global dans le Chant traditionnel des ethnies du Togo ............. 101
Pepelea, R.: Romanian Piano Miniature in the Modern Period of its Assertion................................................................................. 113
Preda-Ulita, A.: A New Analytical Approach to the Musical Language of Ravel................................................................................. 119

Soreanu, C.: Nineteenth Century’s Donizettian Singers and their Contribution to the Development of the

      Vocal Technique ......................................................................................................................................................................................

125
Sturm, J.: Un outil universel pour le repertoire choral :"Musica International".................................................................................... 131
Tutu, C.: Valences esthetiques-sacrales du genre "Messe"................................................................................................................... 139