Series VIII


Adetu, E.G.: Biblical and religious symbols in Italian romantic opera. Perspectives of musical hermeneutics ................................ https://doi.org/10.31926/but.pa.2020.13.62.2.1	7
Beldean, L.; Lisecka, M.: Transgressing the Wall. Mauricio Kagel and Decanonization of the Musical Performance ...................... https://doi.org/10.31926/but.pa.2020.13.62.2.2	17
Bizineche, L.: The path to Excellence. Celebrating the 100 years of the Romanian National Opera House Cluj-Napoca. The “Hive” for “Beeing” an Opera singer .................................................................................................................................................... https://doi.org/10.31926/but.pa.2020.13.62.2.3	27
Bodurian, a.; Dragulin, S.: Armenian Church Music: genres, modes, and notation issues .................................................................... https://doi.org/10.31926/but.pa.2020.13.62.2.4	35
Chircev, E.: Musicians from Brasov: Constantin Catrina – An integrated approach to Musical Folklore ............................................. https://doi.org/10.31926/but.pa.2020.13.62.2.5	49
Coroiu, P.-M.: Ludwig van Beethoven and the modern music inspired by his compositions ............................................................... https://doi.org/10.31926/but.pa.2020.13.62.2.6	59
Darie, L.: Stylistic features of Vivaldi’s bassoon concerti .............................................................................................................................. https://doi.org/10.31926/but.pa.2020.13.62.2.7	65
Duca, P. L.: The emancipation of feminine roles in Puccini’s creation ......................................................................... https://doi.org/10.31926/but.pa.2020.13.62.2.8	75
Festeu, A.: The role of operatic repertoire in young singers’ professional development ...................................................................... https://doi.org/10.31926/but.pa.2020.13.62.2.9	85
Ibanescu, C.: Fantastic Piece for the Piano op. 142 no. 2 by J. B. Foerster ............................................................................................ https://doi.org/10.31926/but.pa.2020.13.62.2.10	95
Iftene, L.: The semantics and pragmatics of the character of Edgardo from Donizetti’s “Lucia di Lammermoor” ............................. https://doi.org/10.31926/but.pa.2020.13.62.2.11	101
Mirea, R.: Aspects of the correlation between empathy and performance in music .............................................................................. https://doi.org/10.31926/but.pa.2020.13.62.2.12	113
Negrea, A.M., Pepelea, R.M.: The Lied in Schubert’s Work. Stylistic and interpretive perspectives .................................................... https://doi.org/10.31926/but.pa.2020.13.62.2.13	123
Preda, A.: The Concept of Melody. A Structural point of view ...................................................................................................................... https://doi.org/10.31926/but.pa.2020.13.62.2.14	131
Rucsanda, M.: Developing choral skills at a young age through choral singing..................................................................................... https://doi.org/10.31926/but.pa.2020.13.62.2.15	139


Authors Index .......................................................................................................................................................................................................	153