Series VIII


Balan, F.: The negative Harmony ......................................................................................................................................................................... Abstract	7
Beldean L., Tutu, C.: Disinhibition of the public through happening-performances .................................................................................. Abstract	17
Belibou, Al.: Documentary contributions from the 1971-1973 press about the musical life of Brasov .................................................. Abstract	25
Catrina, M.: Romanian composers from the second half of the 20th century - the beginning of the 21st century, who composed works with religious themes (solo repertoire for soprano voice, vocal-symphonic repertoire and choral repertoire) .................. Abstract	31
Cinc, E.: Musical education at the preschool age – the start on the road to performance .......................................................................... Abstract	39
Ciupeiu, A.: The evolution of a musical work from idea to interpretative act. The “Acamas” paradigm by Vasile Herman ................. Abstract	49
Constantin, F.A.: Gabrielle Roth’s 5 rhythms – Music, Dance and Therapy .................................................................................................. Abstract	57
Constantin, V.C.: Modalities of transcribing the folk-musical repertoire for violin ....................................................................................... Abstract	65
Coroiu, P.-M.: Semantics and confession in the “stabat mater” ....................................................................................................................... Abstract	73
Fratila, L.R.: An innovative approach of music therapy in kindergarten ....................................................................................................... Abstract	79
Frisch, J.-C.: Fragments de la vie d’un flutiste, Pierre Gabriel Buffardin (Provence, ca. 1690 – Paris, 13 January 1768) ................... Abstract	89
Giol (Calefariu), E.: S.M.A.R.T. goals in artistic management ........................................................................................................................ Abstract	103
Greavu, E. L., Pepelea, R.: Stylistic influences in the choral works of Irina Odagescu ............................................................................... Abstract	109
Hanke, M.E.: The Discovery of Musical Content and Personality Through Picture. Music: Symphony No.8, „The Unfinished Symphony” by Franz Schubert ...................................................................................................................................................................... Abstract.	117
Iosif, I.L.: Ornamental potential of the Pan Flute illustrated in Baroque transcriptions ............................................................................... Abstract	127
Isac, V.: The electronic drum and the MIDI or USB Connection ..................................................................................................................... Abstract	137
Karacsony, N.: An Image of the Exotic in the works of Ernest Reyer: from “Le Sélam” to “Salammbo” ................................................ Abstract	145
Kozlovsky, M.: The coexistence of separation and integration rites in the Nuptial Repertoire of the Cipan Aromanians in Dobruja Abstract	155
Lazar, Z., Filip, I.-C.: G. Ruzitska: Adagio and Rondo concertant for cello and orchestra ......................................................................... Abstract	165
Manafu, E.-M.: Schenker`s perspective on Sonata Form: First Movement of Mozart`s Sonata for Piano and Violin KV 304 ............ Abstract	173
Manafu, E.-M.; Nauncef, A.-M.: Unity and diversity in Mozart’s work .............................................................................................................. Abstract	181
Manailescu, S.: Time and religious feeling in Postmodernism: Louis Andriessen ..................................................................................... Abstract	189
Mirea, R.: Knowledge and conscientiousness – two vectors in musical performance ................................................................................ Abstract	199
Negrila, I.: La musique – l’art de la communication ........................................................................................................................................... Abstract	207
Oarcea, I.: Archaismes by Sigismund Toduta – Stylistic guidelines concerning interpretation ................................................................ Abstract	215
Oprea, G.C.: The Prayer-Chant Our Father in the vision of the composer Constantin Arvinte ................................................................. Abstract	221
Paun, F., Pepelea, R.: Musical-Rhetorical Figures illustrated in Bach’s Matthaus-Passion ...................................................................... Abstract	229
Planjanin-Simic, K., Vesna, K.: The exceptions in the rhythm of children’s folklore in the Serbian part of Banat ............................... Abstract	239
Porcos, I.: Highlights of repetitive minimalism in the work of composer Liana Alexandra ...................................................................... Abstract	251
Predoi, P.E.: About skills, talent and genius ...................................................................................................................................................... Abstract	259
Radu-Giurgiu, C.I.: The principle of versatility in the technical and interpretative approach of vocal music ......................................... Abstract	267
Rosu, A.: Alexandru Zirra and the opera Alexandru Lapusneanu ................................................................................................................. Abstract	277
Rucsanda, M.D.: Documentary contributions from the newspapers around 1967-1970 concerning the musical life of Brasov .,.... Abstract	287
Szalay, Z.: Changing traditions ............................................................................................................................................................................. Abstract	297
Tonescu-Irimia, R.: Giuseppe Verdi, Requiem – Libera me, Semantic and hermeneutical aspects .................................................... Abstract	303

Authors Index. .........................................................................................................................................................................................................	313