Series VIII


Beldean, L.: Anatol Vieru and his theory. A continuum of growing up in musical structuring ........................................................... Abstract	7
Boghici, C.: General and particular features of the traditional dances in Dambovita county............................................................. Abstract	23
Bostan, C.: Concertino for 2 pianos in A minor........................................................................................................................................... Abstract	31
Coroiu, P.: Temporal organization of musical discourse in Ludwig van Beethoven’s Fifth Symphony.......................................... Abstract	39
Dragulin, S.: The pianoforte – three centuries of life ................................................................................................................................. Abstract	45
Engel, A.M.: Affirmation of Romanian music and culture in the vision of the composer Iacob Mureşianu..................................... Abstract	57
Gutanu, L.: Alexandru Lapuşneanu – as a musical character................................................................................................................ Abstract	65
Preda-Ulita, A.: Analysis and performance. Views on the performers musical awareness.............................................................. Abstract	79
Soreanu, C.: The Unpunished conqueror in the Opera “Rigoletto” by Giuseppe Verdi...................................................................... Abstract	87
Tutu, C.: Interférences pluri-stylistiques dans les mises tardives de Haydn....................................................................................... Abstract	93


Balaban, L.: Composer’s works of Nicolay Chiolak................................................................................................................................ Abstract	7
Coroiu, P.-M.: Melodramas on the Book of Job - a cultural act at „Antim Monastery”: Unknown musical testimony of the BURNING BUSH...................................................................................................................................................................................... Abstract	13
Epstein, A.: Un intervalle pas comme les autres..................................................................................................................................... Abstract	21
Erdelyi-Molnár, K. The folksongs and wider public songs in 1865 after the published song book of Károly Színi: the Hungarian folk songs and melodies..................................................................................................................................................... Abstract	33
Gutanu, S.: The musical imagination of children, expressed through painting................................................................................. Abstract	45
Gutanu-Stoian, L.: Initiating the Student Conductor into the basics of the conducting technique (Auftakt-The Upbeat. Types of Upbeat and practical solutions)............................................................................................................................................. Abstract	51
Ibanescu, C.: Artistic, cultural and social aspects in 20th century European context....................................................................... Abstract	61
Pepelea, D.: Beethoven’s “Kreutzer” Sonata No. 9 for Piano and Violin in A-Major, Op. 47 ........................................................... Abstract	69
Preda-Ulita, A.: Structure and voice-leading.............................................................................................................................................. Abstract	77
Risko, K.: Individual memory and collective history: the forgotten manuscript of István Bartalus ................................................. Abstract	83
Rucsanda, M.: Bach, Mozart and Beethoven’s music – philosophy lived in Cioran’s view.............................................................. Abstract	97
Tari, L.: Different social strata in musical collections of the 19th century and the way from the individual songbook to conserving collective treasures............................................................................................................................................................ Abstract	105
Varlan, P.-C.: Typical and atypical aspects in “The Lark Ascending” by Ralph Vaughan Williams............................................... Abstract	123