Series VIII


Adetu, E.G.: Expressions of vocality in romantic opera. Giuseppe Verdi and Richard Wagner .............................................................. Abstract https://doi.org/10.31926/but.pa.2019.12.61.23	7
Balan, F.; Pepelea, R.: The importance of the Lydian concept by forming the chords with extended notes ......................................... Abstract https://doi.org/10.31926/but.pa.2019.12.61.24	13
Beldean, L.; Tutu, C.: Disinhibition of the public through happening-performance (II.) Steps to overcome the prejudicial condition of canonical art-reception: immobilism in traditional spectatorship, evicted from his part to be played in the poietic of the art-work and convicted to a “dead angle”- aesthetic – perspective ................................................................................. Abstract https://doi.org/10.31926/but.pa.2019.12.61.25	25
Belibou, Al.: Spiritual dualities revealed by the hermeneutic analysis of „Symphony of Psalms” by Igor Stravinsky) ...................... Abstract https://doi.org/10.31926/but.pa.2019.12.61.26	31
Bizineche, L. : La voix lyrique, l’expression de l’ame ....................................................................................................................................... Abstract https://doi.org/10.31926/but.pa.2019.12.61.27	39
Blanaru, A.: A propos des fractales et du chaos dans les études pour piano de Gyorgy Ligeti .............................................................. Abstract https://doi.org/10.31926/but.pa.2019.12.61.28	47
Bostan, M.C.: Dmitri Shostakovich – Concerto no.2 for cello and orchestra op.126 ................................................................................. Abstract https://doi.org/10.31926/but.pa.2019.12.61.29	61
Gabor, E., Filip, I.-C.: Johann Georg Pisendel: “Sonata for violin solo in A minor” .................................................................................... Abstract https://doi.org/10.31926/but.pa.2019.12.61.30	71
Fratila, L.: Accompanying and the Orchestral Reduction of 20th Century Music ........................................................................................ Abstract https://doi.org/10.31926/but.pa.2019.12.61.31	77
Frisch, J.-C.: Elements simplifiés pour la pratique de la musique baroque .............................................................................................. Abstract https://doi.org/10.31926/but.pa.2019.12.61.32	85
Giol (Calefariu), E.: The Cause-Effect Diagram in Music ................................................................................................................................ Abstract https://doi.org/10.31926/but.pa.2019.12.61.33	101
Greavu, l.; Pepelea, R.: „Revedere/Return” by Dan Voiculescu – an exploration of the Romanian folkloric resources .................... Abstract https://doi.org/10.31926/but.pa.2019.12.61.34	107
Ibanescu, C.: The musical language in the piano sonatina by Carmen Petra-Basacopol ..................................................................... Abstract https://doi.org/10.31926/but.pa.2019.12.61.35	115
Ichim, T.: The Evolution of the Bessarabian lyrical artists at the Opera Theater in Cluj and Bucharest in the Interwar Period ........ Abstract https://doi.org/10.31926/but.pa.2019.12.61.36	125
Iosif, L.I.: Elements of modal harmony in Romanian choral works of some representatives of the genre .......................................... Abstract https://doi.org/10.31926/but.pa.2019.12.61.37	137
Isac, V.: Dave Weckl. Particulars of style and performance .......................................................................................................................... Abstract https://doi.org/10.31926/but.pa.2019.12.61.38	145
Karacsony, N.: The Evolution of French Musical Orientalism in the Works of Francisco Salvador-Daniel ......................................... Abstract https://doi.org/10.31926/but.pa.2019.12.61.39	151
Kozlovsky, M.: The Musical repertoire of the Lipovan Russians of Sarichioi – A Form of Preservation and Perpetuation of Ethnic Identity .................................................................................................................................................................................................... Abstract https://doi.org/10.31926/but.pa.2019.12.61.40	161
Lupu, A.: Martin Luther’s contribution to the crystallization of the Protestant Choral ................................................................................ Abstract https://doi.org/10.31926/but.pa.2019.12.61.41	169
Matei (Rosca), M.-L.: Musical education or education through music? Transdisciplinary approach to the musical education of the adolescents ................................................................................................................................................................................................ Abstract https://doi.org/10.31926/but.pa.2019.12.61.42	177
Mirea, R.: Emotions and Visual Intelligence, resources in the service of Music quality .......................................................................... Abstract https://doi.org/10.31926/but.pa.2019.12.61.43	187
Nauncef, A.M.: „Ciaccona” in D minor from Partita II for solo Violin (BWV 1004) by J.S. Bach and „Ciaccona” for solo Violin, in B minor, op.21 by R. Barth. Comparative analysis .................................................................................................................................... Abstract https://doi.org/10.31926/but.pa.2019.12.61.44	195
Oarcea, I.: Systematic Mathematical thinking reflected in the Semiology of the Musical Language ..................................................... Abstract https://doi.org/10.31926/but.pa.2019.12.61.45	205
Pop, A.O.; Filip, I.-C.: Occupational diseases of the Opera singer: Connection and therapy through the breathing technique Negrila, I.: La musique – l’art de la communication .................................................................................................................................. Abstract https://doi.org/10.31926/but.pa.2019.12.61.46	215
Porcos, I.: Corneliu Dan Georgescu – The Aesthetics of Archetypal Minimalism. Theoretical Considerations .................................. Abstract https://doi.org/10.31926/but.pa.2019.12.61.47	225
Predoi, P.-E.: When does the formation of the musical personality begin? ................................................................................................ Abstract https://doi.org/10.31926/but.pa.2019.12.61.48	233
Radu-Giurgiu, C.: An exceptional meeting at the Black Church: Emilia Petrescu and Hans Eckart Schlandt ..................................... Abstract https://doi.org/10.31926/but.pa.2019.12.61.49	243
Santos, M.: A study of the importance of vocal energy on classical singing ............................................................................................... Abstract https://doi.org/10.31926/but.pa.2019.12.61.50	253
Sebastian, s.; Dragulin, S.: Expression particulars of Brahms’s music language, mirrored in hs Compositions for Piano .............. Abstract https://doi.org/10.31926/but.pa.2019.12.61.51	259
Streitova, M.: The influence of playing simultaneously with singing in flute sonority ................................................................................. Abstract https://doi.org/10.31926/but.pa.2019.12.61.52	271
Sandor, P.: Poetic aspects in the Chamber Music of Adrian Pop ................................................................................................................. Abstract https://doi.org/10.31926/but.pa.2019.12.61.53	277

Authors Index. .........................................................................................................................................................................................................	284