Series VIII


Coroiu, P.M., Paler-Nicolescu, A.: Aspects of the pedagogic work with young pianists ........................................................................ Abstract	7
Dragulin, S., Suteu, C.L.: Memory and learning: experiment on „Sonata KV 331”, in A Major by W.A. Mozart ................................ Abstract	13
Ibanescu, C.: Dinu Lipatti – „Sonatina for the left hand” ............................................................................................................................. Abstract	23
Lazar, Z., Filip, I.: Authenticity problems in Herman Bonicke’s Violoncell – Schule ............................................................................. Abstract	37
Nauncef, A.-M., Manafu, E.-M.: „The Sonatas in B Flat Major KV 454” and „KV 378” by W.A. Mozart ................................................. Abstract	43
Pavel, G.-M.: Compared interpretations of Sergei Rachmaninoff’s „Symphonic Dances for Two Pianos op. 45” ........................... Abstract	51
Paun, Florin: Kerygmatic Message in the „Lord’s Supper” Recitative from „Matthäus-Passion” by J.S. Bach (Musical-rhetorical Figures and Affects) ................................................................................................................................................... Abstract	57
Pepelea, R.: Typologies of Latent Poliphony illustrated in the Bachian Monody ................................................................................... Abstract	71



BULLETIN OF THE TRANSYLVANIA UNIVERSITY OF BRASOV • VOL. 10 (59) No.2 - 2017 SERIES VIII - PERFORMING ARTS, ISSN 2344-200X (Print) ISSN-L 2344-200X (Online), ISSN 2344-2018 (CD-ROM) PERFORMING ARTS
Babii E.-A.: Dialogue between the Art of Music and Other Disciplines ........................................................................................................ Abstract	7
Balan F., Pepelea R.: Basic Jazz Cords and Chords Progressions .......................................................................................................... Abstract	15
Buga C.: Ketting for piano solo by Jo Sporck- a fascinating moment of recent new music ................................................................... Abstract	23
Constantin F.A., Dragulin S.: Mental training for musicians – excellence in performance ..................................................................... Abstract	33
Coroiu P.-M., Belibou A.: Representative images in A. Stroe’s concerts .................................................................................................... Abstract	45
Hanke M.-E.: The collection “Odae cum harmoniis” by Johannes Honterus /In memoriam Astrid Philippi-Niedermaier .............. Abstract	53
Ibanescu C.: Prelude Op. 9 No. 1 for the Left Hand by Alexandr Skryabin .............................................................................................. Abstract	63
Manafu M.-E., Nauncef A.-M.: Style and interpretation in Mozart’s piano and violin sonatas .................................................................. Abstract	69
Nistor R.L., Nedelcut A.C.: Evaluating the promotion of two music events ................................................................................................ Abstract	73
Porcos I.: Spectralism. Spectral composition techniques ............................................................................................................................. Abstract	85
Rucsanda M.D.: Synaesthesia and artistic experimentation in Alexandr Scriabin’s works .................................................................... Abstract	95
Szilagyi A. : La technique des faisceaux sonores dans "L' Elegie pontique" de Theodor Grigoriu ....................................................... Abstract	105
Suteu C.-L., Dragulin S.: Musical psychology – an integral experience ..................................................................................................... Abstract	113