Series VIII


Bahnean, M.: William Byrd – Catholic Masses for three voices, four voices, and five voices in Protestant England ........................ Abstract	7
Balan, M.-G.: Psychological perspective in the musical work “Mithya” by Doina Rotaru ........................................................................ Abstract	17
Belibou, A.: Elements of the minimalist composition technique in Arvo Part’s works based on psalmic texts ................................. Abstract	34
Boga, I.: Music and consumerism; the aesthetics of an urban capitalistic society ................................................................................. Abstract	41
Boga, L.: Natalie Bauer-Lechner – temoignages sur Gustav Mahler ......................................................................................................... Abstract	49
Bostan, C.: “Concerto No.1 for Cello and Orchestra, Op.107 in E flat Major” by Dmitri Sostakovici .................................................... Abstract	59
Calefariu, E.: Planning, primary element in cultural management ........................................................................................................... Abstract	73
Chiciudean, I.: La transition entre la parole et la musique dans la priere Notre Pere, composition d’Anton Pann, atravers la vision de Viorel Munteanu, l’ideologie dans la revelation divine ........................................................................................................ Abstract	79
Constantin, F.A.: Modern Music Therapy – Between Art and Science ........................................................................................................ Abstract	95
Coroiu, P.M.: Musical aspects of George Cosbuc’s Poetry (150 years from his birth) ........................................................................... Abstract	99
Dragulin, S.; Constantin, F.A.: Choosing the right music - an important step of Music Therapy .......................................................... Abstract	105
Dutica, L.: Getting back a mythic time. Opera-fresco “Stages of history” by Mihai Moldovan ............................................................... Abstract	111
Gogescu, C.: Quelques aspects de la couleur dans la musique et la peinture ...................................................................................... Abstract	137
Iatesen, L.: Meanings of the „Postromanticism” concept in the context of the Universal and National creation of the first decades of the 20th century ........................................................................................................................................................................ Abstract	147
Iosif, I.L.: Tipology of modal systems in Romanian folklore. Dyachronic and synchronic approaches (Researcher’s plan) ......... Abstract	163
Itigan, M.; Dragulin, S.: Historic landmarks in Beethoven’s Sonata for Piano and Violin ....................................................................... Abstract	169
Kiskamoni-Szalay, Z.: The Csiki collection of Imets Denes ......................................................................................................................... Abstract	177
Kozlovsky, M.: Parting Songs of the Dobruja Aromanians and Tatars ....................................................................................................... Abstract	183
Lianu, O.: Music – one of the best ambassadors of Cultural diplomacy ................................................................................................... Abstract	195
Mirea, R.: Methacomunication in Conductor’s Art ........................................................................................................................................... Abstract	201
Nauncef, A.; Manafu, E.M.: Articulation in Mozart's piano-violin Sonatas ................................................................................................... Abstract	211
Oarcea, I.: Multicultural interferences choral international ............................................................................................................................ Abstract	219
Oncescu, I.E.: L’ Univers musical webernien represente par les " Variations pour le piano op. 27” ..................................................... Abstract	227
Pasc, C.: Music and dance therapy methods for improving the children-parents relationships ........................................................... Abstract	237
Paun, F.: The musical-accoustic experiment and the influence of behaviourism from an evolutionary perspective ....................... Abstract	245
Pepelea, R.: Recycling the Folk Music ............................................................................................................................................................. Abstract	255
Petcu-Catrina, M.: The Romanian lied. The first National Festival of the Romanian lied in Braºov .................................................... Abstract	265
Rucsanda, M.D.: Developing musical creativity and empathy through group practices ........................................................................ Abstract	271
Savin, C.: Sebastian Barbu-Bucur – A Life in the service of the Romanian Psaltic Music ....................................................................... Abstract	281
Streza, D. Al.: The Religious Carol – from “Calendae” to “Colinda” ................................................................................................................... Abstract	289
Szilagyi, A.: The development of the Romanian music Avant-garde in the Communist Era ................................................................. Abstract	297
Suteu, L.-C.; Dragulin, S.: Music therapy and the PERMA model ............................................................................................................... Abstract	317
Tutu, C.: Structure, style et interpretation en "Paukenmesse” de Joseph Haydn .................................................................................... Abstract	323

Authors Index. .......................................................................................................................................................................................................	339