Series VIII


Beldean, L.: Die Darmstadter Internationalen Ferienkurse fur Neue Musik: ein weiter Durchbruch in die Moderne fur die rumanische Komponistenschule I ................................................................................................................................................................ Abstract	7
Belibou, Al.: Musical symbols of the ephemera – eternal dichotomy in the final movement of “Tehillim”by Steve Reich ................. Abstract	17
Calefariu, E.: Vision and strategy for cultural management ............................................................................................................................ Abstract	25
Cherciu, Al.: L’opera et l’oratorio europeens dedies a Jeanne d’Arc entre 1938 et 2014. Etude de dramaturgie musicale .............. Abstract	31
Chiciudean, I.: “Our Father”, music by Anton Pann. A sacred Concerto work from composer Viorel Munteanu’s view point ............ Abstract	39
Codreanu, M.C.: L’humour dans les miniatures vocales des compositeurs roumains ............................................................................. Abstract	47
Coroiu, P.M.: Liviu Danceanu, musicological dimensions of his aesthetics ................................................................................................ Abstract	55
Dumitriu, L.: New ideas cast in old molds. Structures of musical forms in the “Sinfonia Concertante for Cello and Orchestra, op. 125”, by Sergei Prokofiev ............................................................................................................................................................... Abstract	61
Hanke, M.E.: The “G. Dima” Philharmonic in Brasov at the service of Creative Education in Music, in the years 1984–88 ............... Abstract	93
Ibanescu, C.: Hypostases of the “Spanish Baroque Sonatas” for keyboard instruments ......................................................................... Abstract	103
Iosif, I.L., Rucsanda, M.D.: Elements of modal composition in Alexandru Pascanu’s Choral “Festum Hibernum” ............................. Abstract	109
Isac, V.: Spectral thought in the work of composer Octavian Nemesc .......................................................................................................... Abstract	117
Itigan, M., Dragulin, S.: Beethoven’s dynamics seen in terms of his “Piano and Violin Sonatas” ............................................................ Abstract	127
Karacsony, N.: Felicien David – the revealer of musical exoticism in the Romantic Era .......................................................................... Abstract	135
Kozlovsky, M.: Case study on the substitution of “Lullabies” with fishing and religious songs among Lipovan Russians in Dobruja ............................................................................................................................................................................................................... Abstract	143
Manafu, E.M.: Mozart’s “Sonatas for Piano and Violin” in the historical context of the Epoch ................................................................... Abstract	151
Mirea, R.: Distinguishing marks of the conductorial art, in Mariana Popescu's volume: “Ion Vanica. The magic of the children's choir” .................................................................................................................................................................................................................... Abstract	157
Nikolic, M.: Coral theatre in the Programs of the International Festival of Chamber Choirs and Vocal Ensembles in Kragujevac (Serbia) – Contributions to defining and structuring the term ........................................................................................... Abstract	165
Oarcea, I.: Archaismes by Sigismund Toduta – stylistic interferences, conducting interpretations ........................................................ Abstract .	187
Oncescu, I.E.: Continuo, cadences et point d’orgue dans les“ Concerts pour piano et orchestre” de W. A. Mozart ............................ Abstract .	201
Oprea, G.C.: Transformations of Romanian traditional songs in Constantin Arvinte’s choral creation .................................................. Abstract .	211
Para, C.: Aspects of vocal and choral harmony from the conductor’s perspective ..................................................................................... Abstract	219
Pasc, C.M.: Interventional highlights for children with disabilities and their families ................................................................................. Abstract	231
Paun, F., Pepelea, R.: Texture and dramaturgy in “Recitative and Chorus no. 58”, from Bach’s Matthaus-Passion ........................... Abstract	241
Pepelea, D.: Organic structure of the form in the “Second Sonata for Piano and Violin, Op.6”, by George Enescu ........................... Abstract	249
Petcu-Catrina, M.: The Romanian lied. The first National Festival of the Romanian lied in Brasov (II) ................................................. Abstract	257
Predoi, P.E.: Interdisciplinarity; reference to contemporary music pedagogy ............................................................................................. Abstract	263
Radu, C.I.: The opera orchestra and great conductors in the 20th century .................................................................................................. Abstract	269
Savin, C.: The role of Archdeacon Sebastian Barbu-Bucur in the reactivation of the Romanian Religious Musical Education ....... Abstract .	277
Streza, D. Al.: Musical particularities in Paul Constantinescu's “Oratorios” ................................................................................................... Abstract	285
Szalay, Z.: Thoughts on the Transylvanian folksong competitions ................................................................................................................. Abstract	299
Stefanescu, V.: Olivier Messiaen – Dimensions theologiques en hypostases sonores; Symbolisme chretien dans les œuvres pour Piano ..................................................................................................................................................................................... Abstract .	307
Suteu, C.: Trends in musician’s psychology ....................................................................................................................................................... Abstract	315
Varlan, P.M.: Aspekte der ubermaßigen Sekunde im Wohltemperiertem Klavier von J. S. Bach .......................................................... Abstract	323
Voda, I.B.: Important aspects in developing the new musical curriculum for the Romanian educational system ............................... Abstract	331

Authors Index. .......................................................................................................................................................................................................	339